Interestingly, the original Swedish title is only the same in English (translated, of course) for The Girl Who Played with Fire; the first book translated as Men Who Hate Women and the third as The Air Castle that Blew Up. I actually prefer the English titles because they lend a sense of consistency to a series; these are "the girl who..." books in my mind.
I actually liked the latter two books better than the first; or perhaps, my reading experience was better because I was ready for them to simply be fairly well-written crime thrillers, populated with cartoon-y heroes and villains, with some awkward bits that the editors should have caught** and without any deep thoughts*** -- something about the reviews of the first book/movie led me to think that it was more than that. To be clear, Larsson definitely succeeded, in the sense that I was sad upon finishing the third book because there aren't any more Salander stories to read, and I stayed up late in order to finish each of the last two books.
** Figuerola is a 6 foot tall former near-Olympic quality gymnast? Even coming after the slightly ludicrous natures of Lisbeth's mind, Niederman's physique, and Blomkvist's sex appeal, this was hard to swallow. I also disbelieve that no one from the police went to interview Palmgren in The Girl Who Played with Fire. That's a little bit too incompetent. Lastly, the "mystery" of Berger's stalker is disappointing because there are no clues as to who the perpetrator is.
*** I can applaud Larsson's stance on discrimination against women without having learned anything new from it.... though perhaps something to talk about. Blomkvist is a complicated character in all this because he is presented as someone who by their words and actions is someone who doesn't hate women in a series filled with men who hate women... and yet, he is a terrible husband and father. Paradoxically, the only two women in the series that he actually has a socially well-defined duty to love and support are the two he does his best to ignore.
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